top of page
Charlie Shoemake - Talsan Music

Trying to improve your jazz improvisation abilities?  Charlie specializes in helping artists and musicians achieve utmost success in learning Jazz improvisation. Tools to improve as a Improvisor.   The material you need for improvisational excellence.


Jazz Lessons, Jazz Transcriptions, Music CDs, and Skype Lessons

I have often said that there are as many ways to learn to play jazz as there are jazz musicians… and that’s a lot. Having said that though there IS one way that worked for me and countless others and that is simply to study the works of the musics’ master players. Mozart learned from Bach, Beethoven from Mozart, Parker from Lester Young etc.

I firmly believe that by immersing yourself in the concepts of the greats that your own musical language and voice will emerge.

Here at the Bebop Music Store we try to present the styles of a variety of great players on different instruments and feel that it can definitely set you on the right track for playing this music.

Charlie Shoemake
Founder / The Bebop Music Store

Charlie Shoemake with Joe Pass, Colin Bailey and Jim Hughart in 1967.


Charlie Shoemake with Nelson Riddle and George Shearing.


Hank Jones and Charlie Shoemake.


Charlie Shoemake recording with Phil Woods.


My studies with Charlie Shoemake (over three years) were truly invaluable. My soloing and knowledge of chord changes (jazz harmony) went up a thousand percent because of his teaching. Charlie is one of our country’s leading jazz vibraphone players but unlike many other top jazz players he is able to articulate and communicate his skills to other people. I owe him a lot and so do many other musicians on the west coast.

Andy Martin
Top jazz trombone recording artist


I studied with Charlie Shoemake for several years in my early twenties. In addition to being a renowned jazz artist, I found him to be a most knowledgeable and inspiring teacher. His understanding of jazz music and education is nothing short of remarkable. I credit much of my success as an artist to my studies with Charlie and feel fortunate to have had him as a teacher and mentor. His collection of transcribed solos of the jazz greats is extensive and impeccably accurate. In contrast to many “jazz theory” texts, Charlie’s explanation of jazz harmony is straightforward and based on the actual performances of the jazz legends. Anyone who is serious about becoming a jazz artist, or just looking to improve their skills, would be very lucky to study with Charlie Shoemake.

Kye Palmer

Trumpeter with the “Tonight Show Orchestra” and formerly with Woody Herman and Poncho Sanchez


Charlie Shoemake was my teacher for three years, from age fourteen to seventeen. When I began lessons I could hardly play. Three years later, not only could I play, but I was working professionally with many groups, including Lionel Hampton, Toshiko Akiyoshi, and even Charlie’s own quintet. I owe this mainly to these important lessons (and hard work). Charlie was the ONLY teacher in Los Angeles with a method of teaching jazz improvisation that actually worked. It has been said that it is impossible to teach jazz, but not only did Charlie disprove this theory, but helped hundreds of students of all ages to become better jazz soloists. Later, when Charlie retired from teaching he began a successful concert series in Cambria, California. I have played there many times over the years for this wonderful series. This has become an important venue for some of the greatest musicians all over the world. As performer, teacher and presenter, Charlie Shoemake is one of jazz’s most important assets.

Ted Nash

Lincoln Center Orchestra

bottom of page